Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.

April 2, 2010| Lindy| 0 Comment | 11:59 am

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In my last post, I went through all the necessary measurements you need to take in order to ensure that you can modify or create any sweater pattern you wish.
If you haven’t done so, you may want to go back and read this information and take your measurements.

Today I will discuss how to analyze a written pattern so that you can use it as a guideline to knit your own well-fitting garment. First, get your favorite sweater – you will be using it to help you analyze the pattern you have selected.

Now, let’s take a look at this sweater – you need to understand what it is about this sweater that makes it your favorite. Is it a pullover or a cardigan? Is it close-fitting or loose? How long is it? What type of sleeve does it have (Set-in, drop, raglan or other)? What type of neckline ( Round, V-neck, Boat Neck, Square, or other)? Now compare this information to the sweater pattern you want to knit. Just a word of caution, here, if the pattern you have chosen differs dramatically from your favorite sweater – you may not be happy with the end result. Then, again, if it is a conscious choice, you may.

Now let’s look at the sizing given in the pattern. Sizes are often stated as “Small, Medium, Large, Extra-Large”, etc. Some patterns will give sizing using finished chest/bust circumference, while others will state the sizing in terms of actual body measurements. If the pattern sizing is in terms of finished measurements, it will have the ease incorporated into it. If in actual body measurements, you may have to determine how much ease is factored into the garment. The amount of ease is both a matter of personal preference and a property of the design of the sweater. To determine how much ease you prefer – pull out your favorite sweater, measure the chest and compare the measurement to your actual body measurement. The math is simple: Subtract your body measurement from the garment measurement – this will give you the amount of inches of ease.

Now – take a look at that pattern you are considering– is there a size that matches your actual chest measurement PLUS that amount of ease? If the answer is “Yes” – then, if your gauge with your yarn matches the pattern, you are good to go.

If you find that your size is not represented within the pattern, you will need to adjust the body width.

For a body width less than the smallest size given in the pattern, recalculate the number of stitches to cast on and then follow the directions for the smallest size.

For a body width greater than the largest size given in the pattern, recalculate the number of stitches to cast on and follow the directions for the largest size.

For a body width that is in between sizes, recalculate the number of stitches to cast on and then follow the directions for the closest size.

In all cases, the formula is: SPI (your gauge) X body width

There are some additional elements to consider and modify if you are adjusting body width:

If the sleeve is a drop sleeve design, be careful not to add too much body width or the shoulders will be too wide. If you need more width in the hip area than the shoulders – use an A-Line shape for the body – which means that you will need to factor in some decreases from the hip to the underarm.

If the sleeve is a set-in sleeve design, remember that as you change body width, you must also adjust the shoulder width because the top of the sleeve should hit the end of the shoulder.

The sleeve length must be adjusted when adding or subtracting body width. This is because if you add width or subtract width to the body, you have also done so to the shoulder width – and shoulder width contributes to the total sleeve length. Verify the length you need for your sweater and make adjustments accordingly.

Additional considerations in modifying a written pattern:

Does this pattern incorporate a textured or colored stitch pattern? If so, what is the base stitch pattern? To determine this, look at the instructions and the graph for the stitch patterning. Most stitch patterns are a multiple of a base number of stitches – i.e. 8 stitches over 24 rows. So, if you are reducing or increasing the number of stitches to cast on – you will need to adjust this number so that it divisible by your base stitch pattern. For example: You have determined that you need to cast on 214 stitches and your base stitch pattern is an 8 stitch repeat. If you divide 214 by 8, you get 26.75 – which is not a even number. You will need to increase the number of stitches you cast on to 216 – which is evenly divisible by 8.

Today, I have discussed how to use a written pattern as a guideline and modify it so that it will fit properly. This works best if your gauge matches the pattern, but your measurements do not.

Next post, I will discuss the notion of designing your own sweater from your choice of yarn, a basic design and the stitch pattern of your choice.

Last FO of 2010: Dishcloths #10 – 12Last FO of 2010: Dishcloths #10 – 12

January 2, 2011| Lindy| 0 Comment| 5:11 pm

It’s been awhile since my last post. The month of December simply flew by with all the preparations for the Holidays and I just never found time to post. Now that the New Year’s Day holiday is over, I am hoping to get back to much more regular postings.

I finished dishcloth #12 just after Christmas. I had planned to get my dozen dishcloths done well before Christmas — but you know that saying about best laid plans? Other things just kept popping up and interfering with my knitting time. Ah well… at least I finished the last dishcloth before the end of the year. So here are the last three of the set of 12:

Dishcloth # 10 – Slanted Squares

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. This is a textured pattern made up of combination of stockinette, reverse stockinette and seed stitch.

Dishcloth # 11 – Basic Diamonds

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Teal. Purl stitches are used to create the diamond patterning. The pattern is very similar to the “Diamond Brocade” pattern I used for my DD’s scarf last year. This pattern is based on 6 stitches and 6 rows, whereas the Diamond Brocade pattern is based upon 8 stitches and 8 rows.

Dishcloth # 12 – Shapely Diamond

Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Peaches & Cream Cotton, color Lemon. This was a fun pattern to knit and it knit up fairly quickly. The pattern is based on 34 stitches knit over 59 rows.

Links to Dishcloths #1 through #9:
Dishcloths #1 — #3
Dishcloths #4 — #6
Dishcloths #7 — #9

Link to “Kitchen Bright Dishcloths” from Leisure Arts (2004).

Update on SFSUpdate on SFS

October 15, 2009| Lindy| 0 Comment| 8:00 am

SFS_HeelFlap2
I have finished the legs on my SFS regulation socks and knitted the heel flap.

Then I did the heel turn – which required some juggling. I slipped one sock heel onto a another circular needle while I knit the heel turn and then repeated the process for the second sock. This seemed easier than trying to knit the two heel turns with the same circular needle at the same time.

SFS_HeelTurn3

The real challenge was to pick up the gusset stitches and at one point I had 4 circular needles in use. But I was successful in picking up the gusset stitches on both sides of the heel.

Now on to knitting the gusset and switching back to larger needles about halfway through.

How to Knit a Helpful Swatch – Part 2 Stitch PatternsHow to Knit a Helpful Swatch – Part 2 Stitch Patterns

August 10, 2020| LindyBeir| 0 Comment| 8:00 am

In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).

At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….

Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.

Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:

Short Rows in Garter or Seed Stitch Border

Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.

Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)

Swatches of Stitch Patterns:

In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.

I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.

Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.

If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.

If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.

Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.