Part 2: Freeing Yourself from a Pattern – Step 1, Take Good Measurements

March 25, 2010| Lindy| 0 Comment | 8:00 am

Categories:

knitting

In my last post, I outlined how to use EZ’s Percentage System to design a sweater. Today, I will spend some time answering a question from Amanda, who asked, “What do you do when the pattern does not have instructions for YOUR size?”

This is very frustrating for those of us who are either smaller or larger than the range of sizes given by the pattern designer. I have never fully understood why some designer’s only develop their patterns for “Small, Medium, & Large”, though the trend seems to be to at least go up to “Extra Large” in current knitting publications. But, if your measurements do not correspond to the designer’s definition of “medium”, you may still find yourself with a sweater that is not well-fitting.

Isn’t that the goal for all of us? To knit a well-fitting garment? So, once again, the answer is to use the pattern as a general guideline and develop your own sweater according to your own measurements. Your measurements are your starting point.

There are two ways to take your measurements:
#1: Take measurements from a sweater that fits you the way you like/love.
Lay the sweater out flat on a table or other flat surface and take the following measurements:

The Chest Measurement [CM] – this is the widest point of the sweater, usually right below the underarm. Measure from side seam to side seam. Remember that since you are measuring with the garment laying flat, that the actual chest measurement is twice this amount. (Important if you will be knitting in the round).

Shoulder Width[ShW] – this is the measurement across the shoulders from the seams or the point where the arm meets the body. This measurement is important for a proper fitting sweater.

The Neck Measurment [NM] – measure this for both the front and the back and note if the garment has shaping that creates depth – due to a difference in the front neckline from the back.

Armhole Depth [AD] – measure from the top of the sleeve at the shoulder seam down to the underarm.

Sleeve Length [SL] – measure from the top of the sleeve at the shoulder seam to the beginning of the sleeve.

Wrist Measurement [WM] – measure the width of the wrist at the bottom of the sleeve.

Sleeve Width [SW] – measure the widest part of the sleeve.

Side Seam Length [SSL] – measure from the bottom of the sweater to the point where the sleeve meets the body at the underarm.

Back Length [BL] – at the center of the back – measure from the center of the back neck edge to the bottom of the sweater.

Front Length [FL] – at the center of the front (or front edge if a cardigan) – measure from the front neck edge to the bottom of the sweater.

Other measurements that you may want –
width of sleeve at the elbow
width at waist (if sweater tapers in at the waist)

I am including a diagram that you can use to record these measurements – click here: Measurements Diagram.

#2 – Take your measurements using your body.
Note – this is best accomplished with the help of a good friend. Measurements to be taken are the same as above, only taken directly from your body. You will need to figure in “ease” when calculating your pattern changes.

Now a few words about “Ease”. Ease is an extra amount of fabric that provides a garment with movement and shaping. When you take your measurements from your sweater – they will include the ease of that sweater. When you take actual body measurements, you will need to add in an appropriate amount of ease.

Close fitting garments have less ease and in some cases have negative ease, while loose fitting garments may have a significant amount of ease. Generally, the guidelines are that a classic fit has 7-10% ease, a close-fit will have a negative 7-10% ease and a very loose fit may have up to 20% ease.

So, now you have all the measurements you need. Take a look at the pattern you are wanting to use – hopefully, there is a diagram in the pattern that gives the finished measurements for each size. If not, you may want to use my diagram to write them down. Make note of the differences between your measurements and those in the pattern.

Also, make note of any textured stitch patterns or colorwork patterns used in the pattern. You need to know what the base number of stitches is for the pattern repeats. This is usually something like: “7 stitches over 9 rows” or “7 stitches, plus 1 over 9 rows”. Write this down – you will need it later.

That’s enough for today. Next post: Step 2 – Analyze the pattern.

FO: Ruffle Scarf — Birthday Present for MILFO: Ruffle Scarf — Birthday Present for MIL

October 27, 2012| LindyBeir| 2 Comments| 8:00 am

I knit this scarf as a birthday present for my MIL. She wears scarves all the time and I thought she would enjoy this unique scarf. I knit this using a novelty yarn called “Sashay” by Red Heart Yarns. It’s a very interesting yarn to knit with. And Yes, it ruffles as you knit it up.

The pattern is really simple. You cast on 6 stitches and then just knit every row until you have used up the entire skein. It only takes one skein to make the scarf and when finished it is about 6 feet long.

My MIL was thrilled. She put the scarf on and wore it after she opened the bag. She exclaimed at how soft it was. She said she would be the envy of all the ladies in the independent living facility where she lives. (I made a BIG hit!) 🙂

Here’s the details:
Yarn: Sashay (Red Heart Boutique) Colorway: Hip Hop
Needles: U.S. 9 (5.5 mm)
Finished length = 72 inches Width = 3 inches

Notes about knitting with this yarn: See picture below of the yarn before knitted. This yarn is essentially a stripe of lace — with the bottom edge more finished than the top. The bottom is the finished edge of the ruffles. You knit this yarn using the top two strands of the upper edge of the lace. The yarn is quite slippery and it takes some getting used to — I used metal needles for this project and the combination of the slippery yarn and the slickness of the metal needles nearly drove me crazy! I recommend using a type of needle with some grab for this yarn — if I knit it again I will use bamboo needles. Also — it is not possible to weave in the ends on this yarn. When you are done, get out your sewing thread and a sewing needle — you will need to sew down the unfinished edges of the scarf to prevent the ends from raveling.

Slouchy Hat in Trinity StitchSlouchy Hat in Trinity Stitch

February 21, 2011| Lindy| 4 Comments| 1:49 pm

As promised in my last post, my Trinity Stitch Slouchy Hat was knitted in January. This is a semi-slouchy hat knitted in the trinity stitch. The inspiration for this hat came from a thread in the Harry Potter Lovers group on Ravelry. The thread was about the knit hat that Hermione Granger wears in the Deathly Hollows, Part I movie. Here’s a picture from the movie:

There was a great deal of discussion about what stitch was used for the hat, but most of the comments were in favor of either the daisy (star) stitch or the trinity (bramble) stitch. So, I decided to give the trinity stitch a try — and here is the end result:

Pretty close, I think.

I knit the hat using Paton’s Classic Wool yarn on size US 8 (4.5 mm) needles. Colorway is “Bright Red”. I also wrote the pattern for this hat as I knitted it up, so that I could share it with others. Here’s a link if you’d like to download it: Trinity Stitch Slouchy Hat.

I had to convert the Trinity Stitch Pattern so that it could be used in the round. Directions for the trinity stitch knit in the round are included in the pattern. If you download this pattern and enjoy knitting your own hat, please leave me a comment. 🙂

To see my notes on Ravelry — use this link.

Next post — Beret in Bee Stitch.

Master Knitter Level I – Swatches #4, #5, & #6 – IncreasesMaster Knitter Level I – Swatches #4, #5, & #6 – Increases

March 4, 2010| Lindy| 0 Comment| 7:54 pm

Swatches 4 through 6 in the Master Knitter Level I program are all about increases. Specifically, each swatch demonstrates a particular type of increase. The increases are done on each side, with three stitches before the right edge increase and three stitches after the left edge increase.

Swatch 4 - Bar Increase

Swatch 4 demonstrates the Bar Increase. This is probably the increase most knitters first learned to make when knitting. It often written as “KFB” in patterns — which means “Knit in the front and back loops”. When you knit into the front loop of a knit stitch and then knit in the back loop of the same knit stitch, the resulting increase has a purl bump where the second stitch was made. It is clearly visible as you can see in this picture.

I learned a few things working on this swatch. Since I am now much more aware of my tension, I found that the purl bumps looked much better if I made certain I kept the tension even with both stitches. It’s much the same issue as when I had trouble getting even tension in ribbing.

Also, through my research, I learned that you should never make your increases on the very edge of your knitting — you should have at least one stitch on the edge before doing the increase. This makes it much easier and neater to do seams. This is something to pay attention to when you are knitting pieces that will be sewn together — I know I will practice this in my future knitting projects.

Swatch 5 - Make 1 Increases

Swatch 5 demonstrates Make 1 increases. On the right edge, I knit an M1R increase — which means “Make 1 Right” — this is a right-slanting increase. It is made by inserting the left needle from the back and lifting the horizontal strand between stitches onto the left needle and knitting into the front of this strand.

On the left edge, the increase is an M1L — which means “Make 1 Left” — a left-slanting increase. It is made by inserting the left needle from the front and lifting the horizontal strand between stitches onto the left needle and knitting into the back of this strand.

M1 increases are tighter and there is no purl bump on the front of the knitting.

Swatch #6 - Lifted Increases

Swatch 6 demonstrates the Lifted or Raised Increase. This is the most invisible of increases — and was an increase I had never used before, so the entire swatch was a learning experience.

Again, I knit a right-slanting increase on the right edge. This increase is done by lifting the stitch below the stitch on the left needle and knitting it.

The left-slanting increase on the left edge of the swatch gave me the most difficulty. I had to search out several different pictures of it in my references before I figured it out. The left-slanting lifted increase is done by lifting the stitch below the stitch just knitted on the right needle and then knitting it.

The best pictures and explanations I found of this increase, as well as the others, were in an online article at Knitty.com, entitled “Techniques with “Theresa – Increases”.

So, these three swatches improved my technique when knitting increases and I learned a method of increasing that I had never used before. Check out the article on Knitty.com if you want to explore these methods.