Stitch Patterns – Garter Stitch, Stockinette Stitch & Reverse Stockinette Stitch

August 1, 2009| Lindy| 0 Comments | 2:28 am

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I have decided to blog about various stitch patterns from time to time. So I am starting with the time honored basics: the garter stitch, the stockinette stitch and the reverse stockinette stitch.

This discussion assumes you know how to do a knit stitch and a purl stitch. If you are new to knitting and are not familiar with these two stitches, click on this link: http://www.knittinghelp.com/videos/knit-stitch.

Garter Stitch: this stitch pattern is made by knitting every row, turning your knitting at the end of each row. (You would get the same effect if you purled every row – but most knitters prefer to knit every row). If you want to knit garter stitch “in the round”, you would knit one row and then purl one row – so most patterns using garter stitch are for flat pieces rather than circular knit pieces. The pattern produces a knitted fabric with ridges on each side that is essentially reversible – it looks very much the same on the right side as the wrong side. It takes two rows to make 1 ridge. The garter stitch is great for borders because it will not curl and lays flat once knitted. Many afghan and baby blanket patterns have a garter stitch border and it is often used as the basis for wash clothes and placemats.

Stockinette Stitch: this stitch pattern is the most commonly used knitted fabric. This stitch pattern produces a fabric with flat “V” shaped stitches on the right side and bumpy stitches on the wrong side. It is also known as flat knitting, tricot or jersey knit. Stockinette stitch consists of knitting one row, turning your work and purling one row if you are knitting a flat piece. If you are knitting in the round, you knit every row. Stockinette stitch fabric curls on the edges and at the top and bottom – it makes a good fabric for the body of a garment, but usually requires another stitch pattern for edging and or borders. It also stretches lengthwise when worn.

Reverse Stockinette Stitch: this is exactly what it sounds like – it is simply stockinette stitch fabric used with the purl side as the right side. It has all the properties of the stockinette stitch, but in addition, it will also stretch widthwise. You can see how the 3 stitches differ in the picture below:

If you look at the pictures of my teddy bear baby blanket – you will see how the teddy bear is formed by using the stockinette and reverse stockinette stitches together to form the pattern. This is a good example of how they can be combined to form textured patterning. Aran knitting patterns often combine stockinette, reverse stockinette and garter stitches as part of the textural patterning. Again, here are examples where the stitching is actually very straightforward and easy – but produces a fabric that looks complex because of the wonderful textures.

Note: For information on tension issues occurring with garter stitch, stockinette and reverse stockinette stitch, see my post on Master Knitter Level I — Swatches #1, 2 & 3.

1 thought on “Stitch Patterns – Garter Stitch, Stockinette Stitch & Reverse Stockinette Stitch”

LindyLou (too) says:

August 5, 2009 at 3:59 am

I’ve heard of reverse stockinette many times, but have never investigated it. Thank you for the clear explanation and for including the information about the stretchability of reverse stockinette.

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Stitch Patterns – Three Examples of RibbingStitch Patterns – Three Examples of Ribbing

August 7, 2009| Lindy| 0 Comment| 9:30 am

3Ribbings

All ribbing is a combination of knit and purl stitches across a row. When you knit back on the next row, you knit the stitches as the face you, that is, knit the knit stitches and purl the purl stitches. The knit stitches form a ridge (or rib) and the purl stitches form a valley. Ribbing is essentially a reversible fabric. Ribbing is elastic crosswise and will stretch lengthwise and is most often used for sweater neckbands and bottoms and the cuff of socks. Ribbing also “pulls in” naturally, so it will effect the shape of your garment.

One-By-One (1×1) Ribbing:

This is knitted exactly as it says. Knit 1 stitch, purl 1 stitch across the row. (Remember to move your yarn from back to front as you knit and purl.) If you are knitting this ribbing flat for a garment, you should be knitting an odd number of stitches, so that when the garment is seamed together the ribbing will appear to be continuous. If you are knitting in the round, you should always have an even number of stitches. This ribbing is the most elastic of ribbings. It tends to look more loosely knit than stockinette stitch, and because it is so elastic, most patterns have you knit your ribbing on needles that are a size or two smaller than the body of the pattern.

Two-By-Two (2×2) Ribbing:

2x2Ribbing

This ribbing is made by K2, P2 across the row. It is a multiple of 4 stitches, so when knitting a flat piece to be joined with another, you should be knitting a multiple of 4 plus 1 stitch so that the pieces will weave together correctly. For knitting in the round, you would knit over a multiple of 4 stitches. This is a popular ribbing and it works well for sock cuffs, but it is not as elastic as the 1×1 ribbing.

Three-By-One (3×1) Ribbing:

3x1Ribbing

This ribbing is also a multiple of 4 stitches: K3, P1 across. The rules for 2×2 ribbing also apply to this ribbing. As you can see in the picture, this produces a wide rib with an almost invisible valley. I have seen this ribbing used in sock patterns and it does give the socks and attractive looking cuff.

Other Ribbing Patterns: There are many other variations of ribbing, including Cabled Ribbing, Four-By-Two Ribbing, and Six-by-Three Ribbing. I will include an example of Cabled Ribbing in a latter post on Cable Stitch Patterns.

Note: For information about tension issues with ribbing, see my post: Master Knitter Level I – Swatches # 1, 2, & 3.

How to Knit a Helpful Swatch – Part 3 Swatching in the RoundHow to Knit a Helpful Swatch – Part 3 Swatching in the Round

August 17, 2020| LindyBeir| 0 Comment| 8:00 am

It took me a good bit of time to decide if I thought it was necessary to knit swatches in the round if I was knitting an item in the round rather than flat. The practice of knitting sweaters flat in pieces that are sewn together versus knitting sweaters in the round is, in itself, a whole topic with proponents for each practice. I may take this topic up at a later time, but for now I will focus on knitting a swatch in the round.

First, there are many knitters and designers who only use gauge swatches knit flat to determine their stitch gauge even if the pattern is knit in the round, and second, most patterns do not state how the gauge swatch was done. All you see in the pattern is the gauge statement.

Do you know if your gauge is the same if you knit in the round as when you knit flat? There’s a good chance that it’s not. As I’ve said before, gauge is a measure of how an individual knitter knits.

Think about how you knit when you knit in the round. One of the biggest differences is that you only knit on the right side of the fabric when you knit in the round. Using stockinette stitch as an example: When you knit flat, you knit one row (right side) and then turn your work and purl the next (wrong side). When you knit in the round, you join the stitches to make a circle and then knit every round.

Now, if you are one of the many knitters whose purls are looser than their knits, there is going to be a difference in tension between something you knit flat and something you knit in the round. Plus, you may modify your technique for knitting when knitting in round from when you knit flat. If you use straight needles when knitting flat, then switch to using circular needles or double point needles (dpns) to knit circular – your gauge may be significantly different. This is why I have come to the conclusion that it is good practice to swatch in the round when planning a project that will be knit in the round.

So how does one knit a swatch in the round? The first method is to cast on a enough stitches to give you a knitted tube that will be at least 4+ inches when laid flat. This could be the start of a sock or a hat. (Elizabeth Zimmerman said that “a hat makes a good swatch”.) Once you have a tube knitted of sufficient length for a good measurement, you treat this swatch the same way you would if your swatch that was knitted flat – i.e. measure, block, re-measure.

The second method goes by a couple of different names: “Speed Swatch” and “Circular Swatch with Floats” are two that I have found in my research. In this method, you use a circular needle and cast on the same number of stitches you would if you were knitting flat. But instead of knitting a row and then turning the swatch and knitting back to the end of the row, you slide your stitches to the needle on the opposite end and strand the working yarn loosely across the back and start knitting the next row. You keep repeating this process until you have a long enough swatch for good measurements. See pictures below:

Front of Swatch ITR — Knit with US 8 and Us 7 Needles

Once you have the swatch completed, you treat it the same way as any swatch – measure unblocked, block, re-measure. A note about measuring this swatch: Some sources suggest that it is easier to measure this swatch after cutting the loose strands so that the swatch will lay flat. Others simply say to measure the swatch by laying it as flat as you can. Logically, you are not going to want to cut the strands if you plan to reuse the yarn in the swatch. I’ve tried both ways and did not find a significant difference in measurements. Here are pictures of the swatch above after I blocked it and cut the floats to take the measurements:

So if you plan to knit a sweater in the round, please do your swatch in the round.

If you would like to see a video on this technique, here are three helpful ones:

Nancy Wynn, “How to do a Circular Gauge – Speed Method”: https://youtu.be/1W9XYgd3s7I

HowToCast: “How to Knit a Circular Gauge Swatch”: https://youtu.be/E1z2pbRmddY

11 Gauge Swatch Secrets PLUS How to Swatch in the Round | Off Our Needles S3E1: https://youtu.be/tv7uy0HetrI

Combinations of Knit & Purl – Simplicity or Complexity?Combinations of Knit & Purl – Simplicity or Complexity?

July 19, 2009| Lindy| 3 Comments| 8:51 pm

The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.

Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!

As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!