This cast on is basically a series of slip knots placed on your needle. It creates a very elastic edge and is great for the cuffs of socks, mittens, and sleeves plus anywhere else where you want a very stretchy edge. It works especially well with ribbing and adding stitches at the end of a row.
One important point when doing this cast on: you need to get the stitches snugged up close to each other – avoid gaps between the stitches as it will give an untidy looking edge.
Link to video:
January in Nebraska is usually cold, snowy and gray. This year was no exception. We have had several 5 inch snowfalls, sometimes with freezing drizzle accompanying, temperatures well below freezing and our usual gusty winds — which makes for wind chills in the sub-zero category. So, it seemed like a good time to knit up some nice warm hats. I have knit two and am about half-way done with a third. February is continuing with the snow and cold temperatures — so I will have no trouble finishing this third hat.
First up is the “Three Color Hat ala EZ”:
This hat was knit using Patons Classic Wool yarn, which is a worsted weight yarn. This yarn is nice and soft and knits up well. The main color is Plum Heather (Colorway 77307). Color 2 was Aran (Colorway 00202) and Color 3 was Jade Heather (Colorway 77208). I used size US 6 and US 8 circular needles and my gauge was 5 spi using the larger needles.
I knit this hat according to the instructions given in Elizabeth Zimmermann’s Knitting Workshop. Her instructions are for a yarn with a gauge of 4 spi, so I adjusted the number of stitches from 72 to 90 to start. The first color pattern is one suggested in the book, the second is one I made up as I went. I knit the hat to a length of 6 inches before I started decreasing. It is probably too long, but I’m happy with the end result: A one of a kind, warm wool hat that fits nicely over my ears and keeps me warm!
Next Post: Trinity Stitch Slouchy Hat.
Reference: Elizabeth Zimmermann’s Knitting Workshop
The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.
Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!
As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!
Okay — I swatched some more on this cardigan project. Earlier I had posted about Things Learned from a Swatch. Well, I continued to be dissatisfied with my color selections — I really just do not like that light aqua color for this sweater. So, I went back to my LYS and bought up all the teal color they had — which is the color I really wanted for the main color on the cardigan. The problem is that there isn’t enough of this color to do both a cardigan and a romper to match.
So, standing in front of the yarn bin at the store, I decided that I’d try using a combination of the teal, the red AND a darker blue. There was enough of the darker blue in one dye lot to do the romper and there was 1 ball of another dye lot left. Since I only need 1 ball of the darker color to do the alternating 3 color pattern in the cardigan, I bought this ball as well because the color variation is not that different between the two dye lots and since it will be mixed in with the other colors, it should work out okay.
Here’s my swatch with the new color scheme added. The darker blue color definitely shows up better than the lighter blue against the teal color that I want for the main color. I have started knitting the romper in the darker blue and I think I’m going to really like the coordinated outfit that will result. This project is a bit challenging because I am knitting on size 0 and size 1 needles to get the right guage. Lots and lots of small stitches…
