Master Knitter Level I – Swatches #7, #8, & #9 – Decreases

March 8, 2010| Lindy| 2 Comments | 8:00 am

Categories:

Swatches 7 through 9 are demonstrations of various decrease techniques.

Swatch #7

Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.

SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.

K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.

I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.

Swatch #8

Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.

SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.

The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.

Swatch #9

Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.

TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.

2 thoughts on “Master Knitter Level I – Swatches #7, #8, & #9 – Decreases”

Amanda says:

March 8, 2010 at 10:48 am

Wow! I can’t believe how quick you are whipping these things out! The decreases all look really similar in the photos, though are they are different in person?
Lindy says:

March 8, 2010 at 4:29 pm

I’ll bring them with me so you can see them more closely — if you double click on the photo, I believe you get an enlarged view of it — so that may help as well.

Comments are closed.

Mirrored Cables – Front Cross & Back Cross CablesMirrored Cables – Front Cross & Back Cross Cables

May 13, 2010| Lindy| 0 Comment| 11:03 am

Front Cross and Back Cross Cable Stitches are mirror images of each other. The Front Cross cable twists to the left, while the Back Cross twists to the right. Both cables are done over four stitches.

In the sample – I have knitted a swatch with 3 Front Cross Cables and 3 Back Cross Cables to demonstrate how they mirror each other and also to show how these two cables would look in a ribbing. Remember that cables are usually separated by a few purl stitches in most textured pattern designs. In this swatch, I separated the cables by 2 purl stitches on each side. (I also blocked this swatch and stretched it to separate the cables. If you were using these cables as a ribbing, you would not want to block your garment this way.)

The Front Cross Cable is often written in patterns as “C4F”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the front of your knitting while you knit the next two stitches. Then you knit the two stitches off the cable needle. This results in the cable twisting to the left.

Tension can be an issue here, as many knitters tend to stretch the last stitch of the four a bit too much and end up with a looser stitch on the left edge of the needle. If you look closely at the left edge of the cable in the picture above, you will see that I do have looser stitches on the left edge.

Montse Stanley, in the “Knitters Handbook”, suggests knitting through the back of this stitch, rather than then front will tighten it up. You must remember to purl through the back loop again on the next row or you will have a twisted stitch if you do this, however.

The Back Cross Cable is often written in patterns as “C4B”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the back of your knitting while you knit the next two stitches. Then you knit the two stitches of the cable needle. This results in the cable twisting to the right. The same tension issues occur with this cable as with the Front Cross Cable.

In my swatch, I have varied the number of rows between cable stitch repeats to demonstrate how the appearance of the cables changes with the number of rows. The first two cables are based upon a four row repeat (meaning that the cable was done on the fourth row) and the last two cables are based upon a six row repeat.

These two cable patterns are very versatile – uses include: all-over cable patterning in a sweater (the popular “baby cable” sweaters found in stores today), a border for another textured pattern in an Aran style sweater, a decorative ribbing for a pullover sweater, the patterning found in my Cable Rib socks. I’m certain you can find many more examples as you look through sweater and sock patterns.

FO: Plain Vanilla Socks in Serenity Sock YarnFO: Plain Vanilla Socks in Serenity Sock Yarn

June 14, 2010| Lindy| 0 Comments| 2:39 pm

I have finished my Plain Vanilla Socks knitted in Serenity Sock Yarn (Premier yarns), colorway Amethyst. This is the yarn that I wrote about in a previous post: “A Study of Pooling in a Variegated Sock Yarn”. As I discovered in my study of how this yarn pools, by using 54 stitches on size US 2 (2.75mm) needles, I got a “striping” effect as the yarn pooled. You can see the result in the picture above.

Serenity Sock Yarn is a variegated yarn with color changes that are fairly short and don’t necessarily produce stripes when the number of stitches increases. The yarn itself has a nice soft feel to it and it knits up nicely, but I did experience a tendency of the yarn to split at times. The yarn is 50% Merino Wool, 25% Bamboo and 25% Nylon and has sufficient stretch for a well-fitting pair of socks. Anyone planning on using this yarn should definitely knit a swatch with the number of stitches they are planning to use for their socks to see if it knits up in a way that they like.

There was a pattern printed on the inner label that called for a gauge of 9 spi on US 2 (2.75mm) needles. The pattern is based upon 64 stitches. Now, I got an spi of 6.25 on US 2 needles, which is a significant difference and I cannot speak to how it would pool at the stated gauge of 9 spi. I know that I knit more loosely and guess that in order to obtain 9 spi, I would have to use US 0 (2.25 mm) or US 00 (1.75 mm). I really prefer to knit socks on a little bigger needles. These socks were for me to wear around the house and they fit my feet perfectly.

As for the pattern used for these socks — I really didn’t use one. I knit a 3 X 1 ribbing for 1.5 inches, then switched to stockinette stitch and knit until the cuff measured 6.5 inches. I did a short row or mitered heel and then knit the foot and toe in stockinette and grafted the toe when I had 9 stitches remaining on each side of the sock. I used the Magic Loop method and knit the socks two at a time.

Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.Part 2: Freeing Yourself from a Pattern – Step 2: Analyze the Pattern and Modify It to Fit.

April 2, 2010| Lindy| 0 Comment| 11:59 am

In my last post, I went through all the necessary measurements you need to take in order to ensure that you can modify or create any sweater pattern you wish.
If you haven’t done so, you may want to go back and read this information and take your measurements.

Today I will discuss how to analyze a written pattern so that you can use it as a guideline to knit your own well-fitting garment. First, get your favorite sweater – you will be using it to help you analyze the pattern you have selected.

Now, let’s take a look at this sweater – you need to understand what it is about this sweater that makes it your favorite. Is it a pullover or a cardigan? Is it close-fitting or loose? How long is it? What type of sleeve does it have (Set-in, drop, raglan or other)? What type of neckline ( Round, V-neck, Boat Neck, Square, or other)? Now compare this information to the sweater pattern you want to knit. Just a word of caution, here, if the pattern you have chosen differs dramatically from your favorite sweater – you may not be happy with the end result. Then, again, if it is a conscious choice, you may.

Now let’s look at the sizing given in the pattern. Sizes are often stated as “Small, Medium, Large, Extra-Large”, etc. Some patterns will give sizing using finished chest/bust circumference, while others will state the sizing in terms of actual body measurements. If the pattern sizing is in terms of finished measurements, it will have the ease incorporated into it. If in actual body measurements, you may have to determine how much ease is factored into the garment. The amount of ease is both a matter of personal preference and a property of the design of the sweater. To determine how much ease you prefer – pull out your favorite sweater, measure the chest and compare the measurement to your actual body measurement. The math is simple: Subtract your body measurement from the garment measurement – this will give you the amount of inches of ease.

Now – take a look at that pattern you are considering– is there a size that matches your actual chest measurement PLUS that amount of ease? If the answer is “Yes” – then, if your gauge with your yarn matches the pattern, you are good to go.

If you find that your size is not represented within the pattern, you will need to adjust the body width.

For a body width less than the smallest size given in the pattern, recalculate the number of stitches to cast on and then follow the directions for the smallest size.

For a body width greater than the largest size given in the pattern, recalculate the number of stitches to cast on and follow the directions for the largest size.

For a body width that is in between sizes, recalculate the number of stitches to cast on and then follow the directions for the closest size.

In all cases, the formula is: SPI (your gauge) X body width

There are some additional elements to consider and modify if you are adjusting body width:

If the sleeve is a drop sleeve design, be careful not to add too much body width or the shoulders will be too wide. If you need more width in the hip area than the shoulders – use an A-Line shape for the body – which means that you will need to factor in some decreases from the hip to the underarm.

If the sleeve is a set-in sleeve design, remember that as you change body width, you must also adjust the shoulder width because the top of the sleeve should hit the end of the shoulder.

The sleeve length must be adjusted when adding or subtracting body width. This is because if you add width or subtract width to the body, you have also done so to the shoulder width – and shoulder width contributes to the total sleeve length. Verify the length you need for your sweater and make adjustments accordingly.

Additional considerations in modifying a written pattern:

Does this pattern incorporate a textured or colored stitch pattern? If so, what is the base stitch pattern? To determine this, look at the instructions and the graph for the stitch patterning. Most stitch patterns are a multiple of a base number of stitches – i.e. 8 stitches over 24 rows. So, if you are reducing or increasing the number of stitches to cast on – you will need to adjust this number so that it divisible by your base stitch pattern. For example: You have determined that you need to cast on 214 stitches and your base stitch pattern is an 8 stitch repeat. If you divide 214 by 8, you get 26.75 – which is not a even number. You will need to increase the number of stitches you cast on to 216 – which is evenly divisible by 8.

Today, I have discussed how to use a written pattern as a guideline and modify it so that it will fit properly. This works best if your gauge matches the pattern, but your measurements do not.

Next post, I will discuss the notion of designing your own sweater from your choice of yarn, a basic design and the stitch pattern of your choice.