Master Knitter Level I – Swatches #7, #8, & #9 – Decreases

Swatches 7 through 9 are demonstrations of various decrease techniques.

Swatch 7 - SSK & K2Tog

Swatch #7

Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.

SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.

K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.

I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.

Swatch 8 - SKP & KSP

Swatch #8

Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.

SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.

The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.

Swatch 9 - K2Tog & SSK

Swatch #9

Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.

TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.

2 thoughts on “Master Knitter Level I – Swatches #7, #8, & #9 – Decreases”

  1. Wow! I can’t believe how quick you are whipping these things out! The decreases all look really similar in the photos, though are they are different in person?

  2. I’ll bring them with me so you can see them more closely — if you double click on the photo, I believe you get an enlarged view of it — so that may help as well.

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Related Post

Yarn SubstitutionYarn Substitution

Substituting yarn

The question comes up every so often at the knitting meet-up and in the Ravelry forums. It takes the form of “Can I use this yarn instead of that yarn?” and any of a number of variations. And the answer is almost always: “It depends.”

Oh, we want this answer to be a simple “Yes”. But it seldom is. Usually the knitter has a valid reason for wanting to use a different yarn than what was used in the printed pattern: Lack of availability, wanting/needing a different colorway, dislike of the particular yarn, etc. If the knitter happens to select a yarn of similar weight and make-up, the substitution will probably go reasonably well – providing, of course, that the knitter can achieve the stated pattern gauge with the chosen yarn. This is the happiest of all occurrences – the yarn you want to use works out well with the pattern and you can just relax and knit happily on your project.

The subject of matching gauge could constitute the contents of an entire article, if not a book. For the sake of brevity, I will simply state that gauge is essential and that any knitter who wishes to produce a well-fitting garment needs to pay attention to gauge – IF she is following a pattern that contains the concept of “fit” as part of the design. (Gauge is less important with scarves & shawls).

Lindy’s Advice #1: When substituting yarns, it is best to select a yarn that is of the same weight and has the same characteristics as the original yarn. But do a gauge swatch to make certain you do not need to make adjustments so that the garment fits correctly.

Perhaps the most frustrating of experiences with yarn substitution is the situation where you have selected a yarn of similar weight and characteristics – but try as you may, you cannot achieve the stated gauge. The advice is usually to go up a needle size or two if your gauge has more stitches and to go down needle sizes if your gauge has fewer stitches. If this works, then wonderful! Proceed with the project. But if, in spite of the change in needle sizes, you still cannot get the stated gauge – well, this can be a significant problem. Being off a half a stitch doesn’t seem like much, but when multiplied over a large number of stitches (say 100 or more), it becomes quite significant and the result is a garment that doesn’t fit properly. You have two options in this situation: 1) try a different yarn (yep, try another one) ; or 2) get out your calculator and start calculating the adjustments needed to ensure a proper fit.

Note: If math makes you anxious and you would never consider recalculating the number of stitches you need to make the garment using your yarn and your gauge – then skip this next part.

Here are the basic calculations you’ll need to make the appropriate adjustments:

Pattern Gauge states “20 stitches and 20 rows = 4 inches” (5 stitches/inch and 5 rows/inch)

To adjust pattern width (i.e. your stitch gauge is different):
Your stitch gauge is 22 stitches = 4 inches. Which is 5.5 stitches per inch

Pattern instructions state that the back of the garment measures 25 inches at the bottom and says to cast on 125 stitches. To adjust for your gauge, you would need to cast on 25 X 5.5 = 137.5 stitches – you will need to round down to 137 stitches so that you have an odd number of stitches, since the pattern has an odd number.
You will need to make similar calculations for width measurements throughout your pattern – it is best if you go through and do this before you starting knitting.

Adjusting pattern length may or may not require some math. If the pattern has instructions that use length (inches) rather than rows, it really isn’t necessary to calculate the number of rows required with your gauge, because you can simply knit to the desired number of inches.

However, if the pattern contains instructions such as “knit 40 rows then begin shaping” – you may want to calculate the adjustments needed, as follows:

Your row gauge is 30 rows = 4 inches – which is 7.5 rows per inch

Pattern row gauge is 20 rows = 4 inches (5 rows per inch)
To calculate the number of rows you need to knit to be equal to the 40 rows called for in the pattern :
40 rows ÷ 5 rows/inch = 8 inches
8 inches X 7.5 rows/inch = 60 rows – so instead of knitting 40 rows then begin shaping, you would knit 60 rows.

A shortcut in these calculations would be to go through and calculate the number of inches that need to be knit using the row gauge of the pattern and then just knitting to the calculated length.

This can be a daunting bit of calculation – but it will result in a better fitting garment with your desired choice of yarn and is thus, worth the effort.

So far, I have discussed what considerations are needed when substituting a yarn of similar weight and characteristics with another. Now about substituting an entirely different weight of yarn…

I have attempted this several times and have not been happy with the result each time. Hence, Lindy’s Advice #2: No matter how much you love the yarn you want to substitute and the pattern, if the yarn is not the same weight and/or does not have the same characteristics as the yarn used in the pattern – DO NOT use that yarn with that pattern.

I know, I know – you really want to use this yarn, but it’s like trying to fit a square peg in a round hole. I feel your pain, I really do. But don’t do it, you won’t be happy with the result.

I think every knitter has tried using bulky yarn for a worsted weight pattern or visa versa. The results have probably been disappointing and the garment was either too big or too small. It certainly was for me.

I know of many knitters who have attempted to double-strand worsted weight or sport weight yarn to substitute for bulky weight. It can be done with some success, but once again – you have to do a gauge swatch and make the necessary adjustments for differences between your gauge and the pattern gauge. You just can’t get away from the math…

But wait! There is a way to substitute yarn so that it doesn’t drive you crazy: “Free yourself from the pattern”.

Huh? What do I mean by that? Well, as a knitter you will eventually reach a point in your knitting experience when you begin to understand the basics of garment design and construction. Granted there are literally hundreds of thousands of written sweater patterns available. But any sweater has a front, a back, two sleeves and a neck. If you understand how to construct the basic parts and match them to your desired body measurements – you really don’t need a specific written pattern.

Let’s start with that pattern you want to knit with a different weight of yarn. What are the characteristics of the garment? How are the sleeves shaped? How is the front shaped and how is the back shaped? What do you like about this pattern?

Does the pattern use a textured stitch patterning or does it have a particular colorwork patterning? Are there charts for the stitch pattern(s) or the colorwork pattern(s)? You can use these to make your own customized sweater with your chosen yarn.

How? Well, it will require some thinking, some planning, some math (sorry!) and a very good set of body measurements. Armed with the knowledge of sweater design – you can go from carefully following a written pattern to using the pattern as an inspiration for your own custom designed sweater.

I will outline how to do this in my next post. Off to find my sweater design references…

Cast On Methods: Cable Cast On and Backwards LoopCast On Methods: Cable Cast On and Backwards Loop

The Cable cast on is very similar to the knitted cast on. It starts the same way as the knitted cast on, where you make a slip knot and place it on your needle and then knit through the loop to form the next stitch. After this step, instead of knitting another stitch and putting it back on the right needle, you insert your needle between the two stitches to form the next loop and then place that back on the right hand needle. You continue making stitches by going between two stitches to make the loop.

Where I use the Cable cast on:

  • When I need a firm edge such as the border on a blanket
  • When I need to add stitches at the end of a row
  • Making a one -row buttonhole

Backwards Loop (e-Wrap) Cast On is a very basic cast on and is one of the cast ons often taught to beginning knitters. It starts with a short tail and a slip knot placed on a knitting needle. You then take the working yarn and wrap it over your thumb , insert the needle under the loop on the outside of your thumb and let it slide off your thumb onto the needle and tighten up the stitch.

Where to use the Backwards Loop Cast on:

This is an elastic cast on that can be used for most projects needing a stretchy edge (hats, gloves). You can also use it to add stitches in the middle of rows (i.e. the underarm of a top down sweater or at the base of the fingers of a glove.) You can also use it to add stitches at the end of a row. The loops between stitches can look sloppy so you need to pay attention to how you make your loops.

Here are links to YouTube videos for these two cast ons:

Knitting Help – Cable Cast On

Refined Cable Cast On

How to Knit: Backwards Loop Cast On

Technique Tutorial: Backwards Loop Cast On (shows how to cast on in middle of stitches)

WIP: Socks for DSWIP: Socks for DS

My DS put “socks that won’t wear out at the heels” on his Christmas list. It was a late request – and not one that would I would likely be able to meet by Christmas – but it was an invitation to knit socks for someone I love!

MattsSocks_Foot2So – I started a pair of socks – plain label version, cuff-down with 2 X 2 ribbing for the heel and instep. I used Knit Picks Stoll in Carbon Twist colorway. I got about 6 inches of the cuff done before Christmas and so I wrapped the “in progress” socks up along with two additional balls of yarn (Knit Picks Stoll – Merlot colorway) for another pair of socks and gave it to him as a Christmas present, with the promise that they would actually become socks.

The Carbon Twist socks are now about 75% complete – I am working on the foot and heading for the toe. I love the way this yarn knits up – it’s great for a pair of men’s socks. I knit the cuff for 6 inches on size US 1 needles (2.50 mm) and then went down to size US 0 (2.00 mm) for another 2 inches on the cuff , the heel flap and approximately half of the gusset before switching back to the larger needle. This produces a denser knit heel and should increase the wearbility of the socks. I intend to knit the toes on the smaller needles for the same reason.

For the Merlot colorway yarn, I am planning on doing the “Manly Aran” socks pattern from Antje Gillingham’s Knitting More Circles around Socks. This is a toe-up pattern and I am looking forward to trying this out using Magic Loop.