Master Knitter Level I – Swatches #7, #8, & #9 – Decreases

Swatches 7 through 9 are demonstrations of various decrease techniques.

Swatch 7 - SSK & K2Tog

Swatch #7

Swatch 7 demonstrates “Blended Decreases” using SSK (Slip, Slip, Knit) on the right edge and K2Tog (Knit 2 Together) on the left edge.

SSK is a left-slanting decrease and is made by slipping 1 stitch as if to knit, then slipping a second stitch as if to knit, then inserting the left needle into these two stitches and knitting them together.

K2Tog is a right-slanting decrease. K2Tog decreases are the basic decrease every knitter learns. You simply insert the right needle into two stitches on the left needle and knit them together.

I have had difficulty finding a reference that actually defines “Blended Decreases”. Through my research it appears that “Blended Decreases” are decreases that slant or slope in the direction of the desired shaping. In this swatch the left-slanting decrease on the right edge and the right-slanting decrease on the left edge slope in toward the center of the swatch.

Swatch 8 - SKP & KSP

Swatch #8

Swatch 8 demonstrates SKP (Slip, Knit, Pass Slipped Stitch Over) and KSP (Knit, Slip, Pass stitch over) decreases.

SKP decreases are also sometimes written as S1, K1 PSSO in patterns. This is a left-slanting decrease and is done on the right edge of the swatch. Any decrease that requires you to pass a stitch over another one results in a somewhat uneven stitch due to the stretching that occurs when you pass the stitch over.

The KSP decrease was a new method for me. It is a right-slanting decrease that mirrors the SKP decrease and was knit on the left edge of this swatch. KSP is done by knitting a stitch, then slipping the stitch back on the left needle and passing the stitch over the next stitch with the right needle, then slipping the stitch back from the left needle to the right needle.

Swatch 9 - K2Tog & SSK

Swatch #9

Swatch 9 uses the K2Tog and SSK decreases but is different from Swatch 7 in that the K2Tog is done on the right edge and the SSK is done on the left edge.

TKGA refers to this swatch as “Full Fashioned”. I have not found a specific definition for the term “Full Fashioned” in my references. However, two of my sources refer to full fashioned decreases as decreases that are done with 2 or more stitches on the edge, making the decreases more visible and part of the intended design of the knitted fabric. In this swatch, the K2Tog decrease on the right edge slants to the right and stands out against the slope of the fabric. Likewise the SSK decrease on the left edge slants to the left and stands out against the slope of the fabric on that side. These decreases are more visible than those in Swatch 7.

2 thoughts on “Master Knitter Level I – Swatches #7, #8, & #9 – Decreases”

  1. Wow! I can’t believe how quick you are whipping these things out! The decreases all look really similar in the photos, though are they are different in person?

  2. I’ll bring them with me so you can see them more closely — if you double click on the photo, I believe you get an enlarged view of it — so that may help as well.

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January in Nebraska is usually cold, snowy and gray. This year was no exception. We have had several 5 inch snowfalls, sometimes with freezing drizzle accompanying, temperatures well below freezing and our usual gusty winds — which makes for wind chills in the sub-zero category. So, it seemed like a good time to knit up some nice warm hats. I have knit two and am about half-way done with a third. February is continuing with the snow and cold temperatures — so I will have no trouble finishing this third hat.

First up is the “Three Color Hat ala EZ”:
Three Color Hat ala EZ

This hat was knit using Patons Classic Wool yarn, which is a worsted weight yarn. This yarn is nice and soft and knits up well. The main color is Plum Heather (Colorway 77307). Color 2 was Aran (Colorway 00202) and Color 3 was Jade Heather (Colorway 77208). I used size US 6 and US 8 circular needles and my gauge was 5 spi using the larger needles.
Front view of Three Color Hat ala EZ

I knit this hat according to the instructions given in Elizabeth Zimmermann’s Knitting Workshop. Her instructions are for a yarn with a gauge of 4 spi, so I adjusted the number of stitches from 72 to 90 to start. The first color pattern is one suggested in the book, the second is one I made up as I went. I knit the hat to a length of 6 inches before I started decreasing. It is probably too long, but I’m happy with the end result: A one of a kind, warm wool hat that fits nicely over my ears and keeps me warm!

Next Post: Trinity Stitch Slouchy Hat.

Reference: Elizabeth Zimmermann’s Knitting Workshop

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I have not been actively blogging since about 2014. Life has a way of intervening from time to time, and I stepped away from the task of updating my blog and website to focus on other things happening in my life.

I just finished updating my website pages with a new theme and color scheme. I have also updated links throughout. As often happens links change over time or become inactive. I hope you find the updates pleasing and that you will continue to check in to my blog from time to time as I plan on making regular posts going forward.

My next post will be the first of a series of posts discussing swatches. Swatches are one of those things that you learn to appreciate over time and I will be sharing what I have learned as I have grown as a knitter.

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Front Cross and Back Cross Cable Stitches are mirror images of each other. The Front Cross cable twists to the left, while the Back Cross twists to the right. Both cables are done over four stitches.

Mirrored Cables

In the sample – I have knitted a swatch with 3 Front Cross Cables and 3 Back Cross Cables to demonstrate how they mirror each other and also to show how these two cables would look in a ribbing. Remember that cables are usually separated by a few purl stitches in most textured pattern designs. In this swatch, I separated the cables by 2 purl stitches on each side. (I also blocked this swatch and stretched it to separate the cables. If you were using these cables as a ribbing, you would not want to block your garment this way.)

Front Cross Cable Stitches

The Front Cross Cable is often written in patterns as “C4F”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the front of your knitting while you knit the next two stitches. Then you knit the two stitches off the cable needle. This results in the cable twisting to the left.

Single Front Cross Cable
Tension can be an issue here, as many knitters tend to stretch the last stitch of the four a bit too much and end up with a looser stitch on the left edge of the needle. If you look closely at the left edge of the cable in the picture above, you will see that I do have looser stitches on the left edge.

Montse Stanley, in the “Knitters Handbook”, suggests knitting through the back of this stitch, rather than then front will tighten it up. You must remember to purl through the back loop again on the next row or you will have a twisted stitch if you do this, however.

Back Cross Cable
The Back Cross Cable is often written in patterns as “C4B”. To knit this cable, you slip the first two stitches onto a cable needle and hold them in the back of your knitting while you knit the next two stitches. Then you knit the two stitches of the cable needle. This results in the cable twisting to the right. The same tension issues occur with this cable as with the Front Cross Cable.

In my swatch, I have varied the number of rows between cable stitch repeats to demonstrate how the appearance of the cables changes with the number of rows. The first two cables are based upon a four row repeat (meaning that the cable was done on the fourth row) and the last two cables are based upon a six row repeat.

These two cable patterns are very versatile – uses include: all-over cable patterning in a sweater (the popular “baby cable” sweaters found in stores today), a border for another textured pattern in an Aran style sweater, a decorative ribbing for a pullover sweater, the patterning found in my Cable Rib socks. I’m certain you can find many more examples as you look through sweater and sock patterns.