How to Knit a Basic Beanie without a Pattern — Part 2: Crown Shaping

In my previous post, I discussed the basic structure of a basic beanie hat and how to knit the brim and the body of the hat. Once you have knitted the hat to the desired length before the start of the crown shaping, you have basically knit a cylinder as shown below.

If you look at the top of the cylinder, it is a circle – and this is the area where you shape the crown by gradually decreasing stitches to close the top of the hat. I usually decrease my stitches down to somewhere between 6 to 12 stitches and then finish the top of the hat by breaking the yarn and using the tail to close the very top of the hat.

Shaping the Crown: The shape of the crown is determined by the number of stitches you need to decrease, the type of decreases you use and how frequently you make your decreases.

Basic beanies usually have either a “spiral” shaped crown or a “wedge” shaped crown. Spiral shaped crowns are made by dividing the number of stitches into an equal number of segments where the decreases are made. The number of segments can be 5, 6, 7, or 8. The number you choose depends upon the total number of stitches and whether the total is evenly divisible by the number of segments. For example, 96 stitches can be divided into 6 equal segments of 16 stitches, or it can be divided into 8 equal segments of 12 stitches. If you have a number of stitches that cannot be evenly divided, then you will need to decrease your stitches down to a number that can be evenly segmented.

Typically, the decrease used for crown shaping is K2Tog which is a right-leaning decrease. You can also use the SSK decrease which leans left. However, you need to use only one of these two decreases in order to knit the spiral shape for your crown.

A wedge-shaped crown has only 4 segments. If you want this shape for your crown, you will divide your stitches by 4 and then use double decreases as you shape the crown. Using 96 stitches as an example, you would have 4 segments of 24 stitches.

To decrease you can use a combination of K2Tog and SSK at each point of decrease or you can use a Central Double Decrease(CDD).

I usually place a stitch or 2 between the K2Tog and SSK decrease when making the wedge-shaped crown. This gives the top of the hat a decorative ridge. The CDD makes a decorative line itself.

Rate of Decreases: Typically, I start crown decreases at a rate of every other round – where I decrease in each segment until I have knit approximately 1.5 inches and then I switch to decreasing every round until I am down to somewhere between 12 and 6 stitches. This is based on my experience.

Calculating Decrease Rates: I know it’s a lot of math, but here goes: To calculate your own rate of decrease, you need to know the number of rows that remain for the crown of the hat and your row gauge. The crown of the hat is approximately 1/3 of the total length of the hat. For example, the total length of the hat is 11 inches  — and 1/3 of this is 3.7 inches. Using a row gauge of 7 rounds per inch. 3.7 x 7 equals 25.9 rounds (round up to 26 rounds). I need to decrease from 96 stitches to 12 stitches at a rate of 6 sts per decrease round. This gives me 14 sets of decreases (96-12 = 84, 84/6 = 14). Dividing the total number of rounds by the number of decrease rounds gives me 1.9. Now I can opt to decrease EOR over 28 rows, which makes my hat slightly longer, or I can decrease EOR for 20 rows (decreasing 60 sts) and then decrease every row for 6 rows (decreasing 36 sts) and end with 10 sts to close the top of the hat. Either way will give me a hat with a close-fitting crown.

I have now covered how to make a basic beanie hat without using a pattern. Give it a try using your choice of yarn and your gauge. Happy Knitting. 🙂

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Master Knitter Level I – Swatches #1, #2, & #3Master Knitter Level I – Swatches #1, #2, & #3

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Swatch #2Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch
Swatch #3
Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)

FO: Choo Choo Hat for GSFO: Choo Choo Hat for GS

My GS is almost two and “Choo Choo’s” are one of his most favorite things at the moment. Now he got a train table and lots of trains and things to go with it for Christmas, but this Grandma just had to knit him a hat with a choo choo train on it. My first attempt was a little too tight, so I knit another a lit bit wider and it fit perfectly.

GS wearing his Choo Choo Hat
Since two year olds are always in motion when awake, it was a challenge to get him to stand still long enough to take his picture — But I was able to get one (and only one) good picture of him wearing his new hat.

Details: Knit with Paton’s Classic Wool in Blue, Red and Black on size US 7 needles. Pattern for the train is from “Patterns for Knitted Hats by Betty Lampen.

Chevron Scarf – in ProgressChevron Scarf – in Progress

So, I spent quite a bit of time asking various folks what they thought about the chevron scarf and which patterning they liked. All of them were very supportive and all gave me their opinions — but many couched their remarks in such a way that I would not feel the need to frog what I had already knitted. (I appreciate their kind concern, but I really don’t mind frogging something if it isn’t knitting up the way I want it.)

Those who thought the 2 row change in color was best were about equal to the ones who preferred the 4 row change in color. Likewise, many suggested that I leave the initial rows of 2 row color changes as is and just continue knitting the 4 row color changes until the scarf was nearly done — then switch back to the 2 row color changes. I seriously consider doing this — but, in the end, I decided I preferred the 4 row color changes over the 2 row color changes (too busy, I found them really distracting). So I took a plunge into the frog pound, and started over.

ChevronScarf2bNow this pattern knits up rather quickly and it didn’t take me very long to get back to the original length I had knitted. This is a wonderful knitting project — it is an easy to remember 4 row pattern and I really like knitting the Cascade Heritage yarn. I am certain I will finish this Christmas present well ahead of schedule.