I think every child should have a teddy bear to love, so I am knitting my baby grandson a teddy bear. The pattern is from “Knitted Toys” by Debbie Bliss. When completed, this will be about 16-19 inches — which is a good size for a teddy bear.
I initially started this project using Peaches & Cream cotton worsted yarn in teal blue. I knitted up the first leg and started on the second one — and then decided I didn’t like the way the yarn was knitting up and I also didn’t like the color for the teddy bear. So, I switched yarns and colors and started over.
The yarn I choose is Knit Picks Shine Sport yarn in Willow colorway. This first photo is of the yarn and the beginning of the right leg.
I have knitted both legs at this point and plan to work on the body tonight while watching the Olympics. I have been using right and left slanted increases and decreases to help make the shaping more defined. [One of the things that I have learned while doing the Master Knitter Level I swatches with different increases.]
First, a definition: A Helpful Swatch is a swatch that gives you, the knitter, information that helps you in the planning, preparation and construction of your knitting project. It tells you a number of things that are essential for successful completion, among them:
Your stitch and row gauge with the yarn and needles you have selected for your project
The type of fabric produced with your yarn and your gauge.
What happens when the yarn is washed and dried.
What adjustments are needed to make a garment that fits the way you want it
How a given stitch pattern looks when knitted using your selected yarn.
In addition, you can use your swatch to test out different techniques such as decreases or increases that you might want to use during construction. Full disclosure here: You’ll need to knit more than one swatch to get a helpful swatch. This is why most experienced knitters will tell you that you should buy an extra skein of yarn just for swatching.
One of the first issues new knitters encounter when doing a swatch is not knitting a big enough swatch — they tend to cast on only enough to knit a 4 inch square. In most cases, this isn’t big enough to provide helpful information. So, how big does a swatch need to be? The short answer is: Big enough to get a good sense of how the project will knit up. Elizabeth Zimmerman wrote that “a hat is a good swatch” – which is true if you are planning to knit your sweater in the round. Some knitters use a sleeve as their swatch, others knit a swatch that is at least 6 inches wide by 6 inches high. I would say that the 6 X 6 swatch is a good starting point – but you made need to make one that is even wider.
GAUGE: Here’s one inescapable truth about yarn, needles, and gauge: “Your Mileage May Vary”. Meaning that gauge is a very personal thing – it’s yours and yours alone. It is a measurement of the fabric YOU produce when you knit. So doing a swatch to identify your gauge is important to your success.
Before you start your first swatch you need to decide what size needle works best for the project. Yarn labels usually have a recommended needle size and gauge listed. Some manufacturers state a range on the label, others use a symbol to indicate the recommended gauge. Either way, this is just the starting point. A pattern may also include information about the yarn, needles and gauge the designer used to create the pattern. Both sources provide you with a starting point for selecting the size needle you need to use to obtain the knitted fabric you want to make.
Gauge written on label
Symbol showing gauge
Here are the steps I follow to make a Gauge Swatch:
Select 3 sizes of needles – if the recommended needle size on the yarn label is a US 7, I use a US 6, US 7, and US 8 for this swatch.
Cast on enough stitches on the smallest needle size for a width of at least 6 inches. (To estimate the number of stitches to cast on, I use the recommended gauge on the yarn label. For example, the label states 20 stitches in 4 inches, that’s 5 stitches per inch, so I’d cast on 30 stitches for 6 inches.). Knit in stockinette stitch for at least 3-4 inches ending with a right side (knit) row.
Knit the wrong side row to indicate where the change in needle size occurs.
Change to the US 7 and knit in stockinette stitch for another 3-4 inches.
Repeat steps 3 & 4 with the US 8. Bind off loosely. (You can also just put the live stitches on waste yarn).
Take stitch and row gauge measurements for all needle sizes and make note of these before blocking per step 7.
Block this swatch using the care instructions on the yarn label.
Once the swatch is dry, take stitch and row gauge measurements for each needle size and write them down in your project notes. These are your “finished gauges”.
Select the needle size by looking at the fabric produced by each size needle. Which one gives you the best fabric? Do you like the stitch definition? Do you like the way it drapes and feels? Is one better than the other two? It’s your choice – but this helps you select the needle that works best with you and your choice of yarn.
Measuring the Swatch for Gauge:
Stitch gauge is expressed as “number of stitches in number of inches (or centimeters)”. You may see this as “20 sts/4 in (10cm) or 5 sts/in. To determine your stitch gauge you need to count the number of stitches in a horizontally measured row of stitches. This measurement should be taken using a ruler and marking the starting point and ending point away from the edges.
Row gauge is expressed as “number of rows in number of inches (or centimeters)”. You may see this as “28 rows/4 in( 10cm) or 7 rows/inch. To determine your row gauge you need to count the number of rows in a vertically measured column of stitches. Again, the measurement needs to be taken using a ruler and away from the top and bottom edges of the swatch.
Note that it is not necessary to measure just 4 inches horizontally or vertically. If you measure more than 4 inches, you may get a more accurate gauge because it will give you a better average – yes – gauge is actually the average number of stitches or rows per inch. And, math is required to determine gauge.
There are any number of YouTube videos available on measuring gauge swatches to determine stitch and row gauge. I recommend the following ones for more detailed explanation:
I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.
I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:
Swatch #1 — 2 X 2 Ribbing & Garter Stitch Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.
Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.
Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.
For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.
If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].
Swatch # 3: Seed Stitch
Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.
In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)
I am now half way through my Summer Knitting project of knitting a dozen dishcloths. Here are the three I have just finished:
Dishcloth #4 – Crocus Buds
Pattern from the Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Banana. This was an interesting openwork pattern. The “crocus buds” are created by pulling a stitch over the next two stitches on the needle. It is a simple 6 stitch pattern over 4 rows with yarn overs creating the open patterning between the “crocus buds”.
Dishcloth #5 – Elfin Lace
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Easy lace pattern, that knits up into a nice dishcloth. The Elfin Lace pattern is an eight stitch pattern done over 8 rows.
Dishcloth #6 – Trinity Stitch
Pattern from Leisure Arts “Knitting Kitchen Brights Dishcloths” brochure. Yarn: Lion Brand Kitchen Cotton, color Natural. Lovely textured pattern produced by using the “Trinity Stitch”. I loved knitting this one. The “Trinity Stitch” is a neat textured pattern.
