WIP: Clapotis Scarf in Jaggerspun Zephyr

I have started another project even though I have at least two others on needles. I just got the itch to knit the Clapotis Scarf pattern along with some of the other members of my knitting guild. It took me a bit of time to decide to join the knit-along, because I wanted to use yarn from my stash rather than buy yarn for this project. I finally settled on the Jaggerspun Zephyr lace weight yarn I had left over from a lace scarf I knit for my DD a couple of years ago. This yarn is 50% fine grade merino wool and 50% Chinese Tussah silk in 2/18 Lace Weight. The colorway is Teal. I am using size US 4 (3.5 mm) needles.

This scarf is knit by starting at one point of a parallelogram and increasing stitches until you reach the desired width of the scarf. Then you knit a series of straight row sections until you have your desired length and then you decrease stitches until you reach the far corner of the scarf. Along the way, you drop stitches to create an open pattern between rows of stockinette stitches.
So far, I have knitted the increase section to the point where I will begin the straight rows and start dropping stitches. Here’s a picture:

The Clapotis pattern is free on Knitty.com. Here’s a link to the pattern: Clapotis Pattern

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Part 1: Freeing Yourself from a Written Pattern or How to Use the Yarn of Your ChoicePart 1: Freeing Yourself from a Written Pattern or How to Use the Yarn of Your Choice

In my last post, I discussed the issues related to trying to substitute one yarn for another and suggested at the end of my post that if you want to use a yarn of a different weight & gauge than what the pattern calls for – you can design your own custom sweater using the pattern as a guide.
Today, I will focus on the first of two approaches for doing just that. WARNING – you must be prepared to take measurements, do a proper gauge swatch and get out your calculator. Yes, we will be doing some math…

Approach #1 – Use EZ’s Percentage System.

Elizabeth Zimmerman published her “unvented” percentage system for designing sweaters in the Knitting Workshop and gave us many examples of how to use it in her other books. EZ was always someone who dealt with knitting in a pragmatic fashion and basically cut through all the fluff and gave clear explanations of basic concepts. I encourage you to read all of her books – but if you want the complete explanation of her percentage system — Knitting Workshop is the source.

I am describing EZ’s Percentage System for two basic sweater designs – the yoke sweater and the Raglan sleeve sweater. Both are knitted in the round. You need to take some basic body measurements:

Width around the chest (Chest Measurement) [CM] The Chest Measurement is the “Key Measurement” (100%) and the starting point.
Body length to Underarm (Underarm Measurement)
Sleeve length to Underarm (Sleeve Length)
You must know your stitch gauge or Stitches per Inch [SPI]

The math follows:
CM X SPI = # stitches needed for the body of the sweater.

For a Yoke Sweater the basic percentages of the above are:
Body = 100%
Wrist = 20%
Upper Arm = 33%
Underarm = 8%
Circumference of Shoulders = 133%
Neck = 40%

For a Raglan-Sleeve Style Sweater the basic percentages are:
Body = 100%
Wrist = 20%
Upper Arm = 33%
Neck = 40%

To calculate – multiply the total number of body stitches by the percentage.

I think you get the idea. If you want to try using EZ’s percentage system, I recommend you either borrow EZ’s Knitting Workshop from your library or a friend or purchase it.

Here’s a link that will take you to Amazon.com: Knitting Workshop

I have also created an Excel Spreadsheet that will make the calculations for you. You can download it here: EPS_Calculator Spreadsheet.

Next post, I will outline another approach to sweater design.

New Page AddedNew Page Added

You may or may not have noticed a new page showing up in the top menu. It’s the Stitches Library Page. I have decided to copy the instructions from some of the posts I wrote back in 2010 on various stitch patterns into downloadable pdf files and make them available in my new stitch library. So far there are only four: Elfin Lace, Trinity Stitch, Waffle Check, and Zig-Zag Eyelet.

I plan to add a new stitch pattern about once a month going forward. I will start with a couple from 2009, but after that I will be swatching new patterns. Please check back from time to time to see what is new. 🙂

Master Knitter Level I – Swatches #1, #2, & #3Master Knitter Level I – Swatches #1, #2, & #3

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Swatch #2Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch
Swatch #3
Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)