WIP: Pi Shawl — Hibernating Since 2008…

July 16, 2010| Lindy| 0 Comments | 2:13 pm

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In the Knitter’s Almanac, Elizabeth Zimmerman suggests doing a Pi Shawl during the month of July as a perfect knitting project to take along with you on your summer travels. Well, I started a Pi Shawl following her instructions in the Knitter’s Almanac in July of 2008. Umm, yeah. July 2008. I took this project with me during that summer on various trips, including a trip to Spain in September. But then, for some reason I don’t fully remember, I set it aside — and left it sitting until July 2010.

As you can see from the above photo, I had made quite a bit of progress on this shawl. In fact, I had made it all the way to the last set of increases, with 576 stitches on the needles. If you are not familiar with the concept of the Pi Shawl — it is simply this: you start out with a small number of stitches (9 in this case) and double the number of stitches every so many rows. The number of rows between increases grows by 3’s or thereabouts and you end up with a circular shawl made up of a whole lot of stitches. (EZ writes that you can keep increasing as long as you wish — but she stops at 576 as it seems to be enough. I think I agree.)

So — after I figured out where I had left off, I started knitting away on those 576 stitches using the lace patterns given in the Knitter’s Almanac. When I started this shawl, my plan was to knit it per EZ’s instructions. Knitting the lace patterns required knitting 42 rounds and I decided to knit an additional 2 rounds after that. Here’s what it looks like at this point:

Here a two additional views. The first is looking down at the center of the shawl with the circular needle underneath and the other is looking down with the circular needles on top.

It looks like a big lacey bag at this point. And it is really difficult to tell exactly how large this shawl actually is. I’m estimating that it is somewhere around 60″ in diameter, but I really won’t know until I get it off the needles and get it blocked.

Now, getting the shawl off the needles is going to take some time. This is because I am knitting on a lace border and using up the edge stitches as I go. I am using the lace border pattern on page 82 of the Knitter’s Almanac. Now, this was a bit tricky to get started — because it doesn’t really tell you how to incorporate knitting off stitches when you knit the lace pattern. EZ does describe the basic process earlier in the chapter — but the specific directions are not given with the lace border pattern itself.

It took me a little while to figure things out — and since I don’t want to have an issue with dropping any of those 576 stitches, I started by putting in a lifeline. From this point forward, I am using the right needle of my circular needle and a dpn to knit the border, so I put a point protector on the left needle to prevent stitches from sliding off and cast on 11 stitches for the border:

The lace border pattern consists of 4 rows, and you K2Tog each time you knit back toward the shawl’s edge stitches, incorporating 1 edge stitch into the border. This means you use up 2 stitches every 4 rows of border. (Yeah…it’s gonna take awhile.) Here’s the start of the border after 20 rows:

I like the border… Only 566 stitches to go. I hope to finish this before the end of July. I will post pictures of the finished shawl when I get it blocked.

Here’s a link to Elizabeth Zimmermann’s Knitter’s Almanac

1 thought on “WIP: Pi Shawl — Hibernating Since 2008…”

Amanda says:

July 16, 2010 at 3:52 pm

Wow. That is going to be really gorgeous. I haven’t seen you in ages at the knitting nights. I can’t wait to see this finished!

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Stitch Pattern: Zig Zag Eyelet LaceStitch Pattern: Zig Zag Eyelet Lace

October 26, 2010| Lindy| 2 Comments| 9:30 am

The Zig Zag Eyelet pattern was used in Dishcloth #8. This is an easy eyelet pattern made by using yarn overs in combination with left-slanting and right-slanting decreases to create the “zig zag”.

This pattern is a multiple of 11 stitches plus 2 done over 12 rows.

Row 1: (Wrong Side) and all wrong side rows – Purl.
Row 2: K6, *YO, SSK, K9. Repeat from *, end last repeat K5.
Row 4: K7, *YO, SSK, K9. Repeat from *, end last repeat K4.
Row 6: K3, *K2Tog, YO, K3, YO, SSK, K4. Repeat from *, end last repeat K3.
Row 8: *K2, K2Tog, YO, K5, YO, SSK. Repeat from *, end K2.
Row 10: K1, *K2Tog, YO, K9. Repeat from *, end K1.
Row 12: *K2Tog, YO, K9. Repeat from *, end K2.

Reference: Barbara G. Walker, A Treasury of Knitting Patterns

Master Knitter Level I – Swatches #1, #2, & #3Master Knitter Level I – Swatches #1, #2, & #3

February 11, 2010| Lindy| 0 Comments| 12:05 pm

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch

Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row. (more…)

How to Knit a Helpful Swatch – Part 1 GaugeHow to Knit a Helpful Swatch – Part 1 Gauge

August 3, 2020| LindyBeir| 0 Comment| 8:00 am

First, a definition: A Helpful Swatch is a swatch that gives you, the knitter, information that helps you in the planning, preparation and construction of your knitting project. It tells you a number of things that are essential for successful completion, among them:

Your stitch and row gauge with the yarn and needles you have selected for your project
The type of fabric produced with your yarn and your gauge.
What happens when the yarn is washed and dried.
What adjustments are needed to make a garment that fits the way you want it
How a given stitch pattern looks when knitted using your selected yarn.

In addition, you can use your swatch to test out different techniques such as decreases or increases that you might want to use during construction. Full disclosure here: You’ll need to knit more than one swatch to get a helpful swatch. This is why most experienced knitters will tell you that you should buy an extra skein of yarn just for swatching.

One of the first issues new knitters encounter when doing a swatch is not knitting a big enough swatch — they tend to cast on only enough to knit a 4 inch square. In most cases, this isn’t big enough to provide helpful information. So, how big does a swatch need to be? The short answer is: Big enough to get a good sense of how the project will knit up. Elizabeth Zimmerman wrote that “a hat is a good swatch” – which is true if you are planning to knit your sweater in the round. Some knitters use a sleeve as their swatch, others knit a swatch that is at least 6 inches wide by 6 inches high. I would say that the 6 X 6 swatch is a good starting point – but you made need to make one that is even wider.

GAUGE: Here’s one inescapable truth about yarn, needles, and gauge: “Your Mileage May Vary”. Meaning that gauge is a very personal thing – it’s yours and yours alone. It is a measurement of the fabric YOU produce when you knit. So doing a swatch to identify your gauge is important to your success.

Before you start your first swatch you need to decide what size needle works best for the project. Yarn labels usually have a recommended needle size and gauge listed. Some manufacturers state a range on the label, others use a symbol to indicate the recommended gauge. Either way, this is just the starting point. A pattern may also include information about the yarn, needles and gauge the designer used to create the pattern. Both sources provide you with a starting point for selecting the size needle you need to use to obtain the knitted fabric you want to make.

Here are the steps I follow to make a Gauge Swatch:

Select 3 sizes of needles – if the recommended needle size on the yarn label is a US 7, I use a US 6, US 7, and US 8 for this swatch.
Cast on enough stitches on the smallest needle size for a width of at least 6 inches. (To estimate the number of stitches to cast on, I use the recommended gauge on the yarn label. For example, the label states 20 stitches in 4 inches, that’s 5 stitches per inch, so I’d cast on 30 stitches for 6 inches.). Knit in stockinette stitch for at least 3-4 inches ending with a right side (knit) row.
Knit the wrong side row to indicate where the change in needle size occurs.
Change to the US 7 and knit in stockinette stitch for another 3-4 inches.
Repeat steps 3 & 4 with the US 8. Bind off loosely. (You can also just put the live stitches on waste yarn).
Take stitch and row gauge measurements for all needle sizes and make note of these before blocking per step 7.
Block this swatch using the care instructions on the yarn label.
Once the swatch is dry, take stitch and row gauge measurements for each needle size and write them down in your project notes. These are your “finished gauges”.
Select the needle size by looking at the fabric produced by each size needle. Which one gives you the best fabric? Do you like the stitch definition? Do you like the way it drapes and feels? Is one better than the other two? It’s your choice – but this helps you select the needle that works best with you and your choice of yarn.

Measuring the Swatch for Gauge:

Stitch gauge is expressed as “number of stitches in number of inches (or centimeters)”. You may see this as “20 sts/4 in (10cm) or 5 sts/in. To determine your stitch gauge you need to count the number of stitches in a horizontally measured row of stitches. This measurement should be taken using a ruler and marking the starting point and ending point away from the edges.

Row gauge is expressed as “number of rows in number of inches (or centimeters)”. You may see this as “28 rows/4 in( 10cm) or 7 rows/inch. To determine your row gauge you need to count the number of rows in a vertically measured column of stitches. Again, the measurement needs to be taken using a ruler and away from the top and bottom edges of the swatch.

Note that it is not necessary to measure just 4 inches horizontally or vertically. If you measure more than 4 inches, you may get a more accurate gauge because it will give you a better average – yes – gauge is actually the average number of stitches or rows per inch. And, math is required to determine gauge.

There are any number of YouTube videos available on measuring gauge swatches to determine stitch and row gauge. I recommend the following ones for more detailed explanation:

Making an Accurate Gauge Swatch (Suzanne Bryan)

Me asuring for Gauge (Arenda Holladay)