Master Knitter Level I – Swatches #1, #2, & #3

February 11, 2010| Lindy| 0 Comments | 12:05 pm

Categories:

I have completed the first three swatches for the TKGA Master Knitter Level I program. As I mentioned in an earlier post, I discovered an issue with tension that I did not realize I had. And over the last few weeks, I have done quite a bit of reading about tension and an equal amount of knitting, reknitting, and being much more aware of HOW I knit. This is one of the purposes of the Master Knitter program — it makes you think about your craft and helps you identify the bad habits you have developed over time.

I have decided to use this blog as I way for me to document the lessons learned as I proceed through the Master Knitter Level I program. Hopefully, others will find my notes and comments helpful and will also learn from them. So, here is the first of my “lessons learned”:

Swatch #1 — 2 X 2 Ribbing & Garter Stitch
Garter stitch (knit all rows) was fairly easy for me — the key is to maintain an even tension throughout knitting the rows.

Tension can be a real issue with 2 X 2 Ribbing, because most knitters tend to purl more loosely than they knit. [I do]. The result of this tendency is that your ribs are formed of uneven stitches and appear “wonky”. My first attempt at this swatch was definitely “wonky”. After much researching, knitting and reknitting, I determined that I was really out of practice purling because I had been knitting projects mostly “in the round” and this was part of my problem. So, I spent some time just purling and working on my tension — trying to get it more consistent. I eventually managed to obtain a fairly even tension with my ribs. From my reading, I think that the unevenness on the edges is normal and should be satisfactory.

Swatch # 2: 1 X 1 Ribbing and Stockinette Stitch
Tension was also an issue for me with the 1 X 1 Ribbing. With this ribbing, I found that my looser purl stitches really impacted the shape of the ribs. Again, I found that I really needed to practice purling and focus on keeping my tension even when doing the ribbing.

For the Stockinette Stitch, I was able to obtain the even fabric required — but only after I had worked on my purling. The evenness isn’t as noticeable on the right side — you need to look at the wrong side of the fabric and make certain that there isn’t a distinct difference in your rows between the knit rows and the purl rows. Along the way, I discovered that I knit fairly loosely and I had to go down one needle size to achieve a decent fabric.

If you are trying to correct uneven tension when ribbing, here are a couple of ways to do so:
1) Just try knitting with an even tension; 2) Give your yarn and extra tug when moving it to the front of the needle and before purling; 3) Try wrapping your yarn under your needle when purling — note, this makes the stitches sit on the needle with the back loop leaning forward — to avoid twisting the stitch you must knit through the back loop rather than the front when knitting; 4) Try purling using the Norwegian Purl method [link to video here].

Swatch # 3: Seed Stitch

Swatch # 3 was a sample of Seed Stitch — which is K1, P1 across the row over an even number of stitches. The goal here is to produce a nice even fabric with no visible holes between the knit and purl stitches. This is another tension challenge. It took me three swatches to produce the swatch shown. I finally came to the conclusion that I was over-doing the tension, basically trying too hard — and once I relaxed a bit on this, I got a better result.

In summary, here’s what worked for me: 1) After practicing, I needed to relax a bit — I got to the point that I was pulling my purl stitches so tightly that I made my knitting even less consistent. 2) Remembering to do that little extra tug when putting the yarn in front to purl. 3) For the edges — giving the yarn an extra tug when knitting off the last stitch on the row, followed by giving an extra tug after knitting the first two stitches on the next row.

1 thought on “Master Knitter Level I – Swatches #1, #2, & #3”

Jody says:

January 18, 2011 at 8:03 pm

Lindy, I found your narrative to be very helpful to me as I start the Level 1 Master Knitting course. I, too, have found in the very short time of working on swatches 1, 2, and 3, that I am taking a very close look at my knitting techniques, style and results. I have made swatches several time with two different kinds of yarn and will block and see which I like better. Over the years, I have read many knitting ‘how to’ books, but I am finding that I need to go back and take a second look at some of the articles. I found your article by google-ing ‘seed stitch without holes’. So, you can see where I am with my transitional stitch tension. I have added your site to my favorites and will continue to ‘check with you’ as I move through this exciting course.

Comments are closed.

WIP: Pi Shawl — Hibernating Since 2008…WIP: Pi Shawl — Hibernating Since 2008…

July 16, 2010| Lindy| 0 Comments| 2:13 pm

In the Knitter’s Almanac, Elizabeth Zimmerman suggests doing a Pi Shawl during the month of July as a perfect knitting project to take along with you on your summer travels. Well, I started a Pi Shawl following her instructions in the Knitter’s Almanac in July of 2008. Umm, yeah. July 2008. I took this project with me during that summer on various trips, including a trip to Spain in September. But then, for some reason I don’t fully remember, I set it aside — and left it sitting until July 2010.

As you can see from the above photo, I had made quite a bit of progress on this shawl. In fact, I had made it all the way to the last set of increases, with 576 stitches on the needles. If you are not familiar with the concept of the Pi Shawl — it is simply this: you start out with a small number of stitches (9 in this case) and double the number of stitches every so many rows. The number of rows between increases grows by 3’s or thereabouts and you end up with a circular shawl made up of a whole lot of stitches. (EZ writes that you can keep increasing as long as you wish — but she stops at 576 as it seems to be enough. I think I agree.)

So — after I figured out where I had left off, I started knitting away on those 576 stitches using the lace patterns given in the Knitter’s Almanac. When I started this shawl, my plan was to knit it per EZ’s instructions. Knitting the lace patterns required knitting 42 rounds and I decided to knit an additional 2 rounds after that. Here’s what it looks like at this point:

Here a two additional views. The first is looking down at the center of the shawl with the circular needle underneath and the other is looking down with the circular needles on top.

It looks like a big lacey bag at this point. And it is really difficult to tell exactly how large this shawl actually is. I’m estimating that it is somewhere around 60″ in diameter, but I really won’t know until I get it off the needles and get it blocked.

Now, getting the shawl off the needles is going to take some time. This is because I am knitting on a lace border and using up the edge stitches as I go. I am using the lace border pattern on page 82 of the Knitter’s Almanac. Now, this was a bit tricky to get started — because it doesn’t really tell you how to incorporate knitting off stitches when you knit the lace pattern. EZ does describe the basic process earlier in the chapter — but the specific directions are not given with the lace border pattern itself.

It took me a little while to figure things out — and since I don’t want to have an issue with dropping any of those 576 stitches, I started by putting in a lifeline. From this point forward, I am using the right needle of my circular needle and a dpn to knit the border, so I put a point protector on the left needle to prevent stitches from sliding off and cast on 11 stitches for the border:

The lace border pattern consists of 4 rows, and you K2Tog each time you knit back toward the shawl’s edge stitches, incorporating 1 edge stitch into the border. This means you use up 2 stitches every 4 rows of border. (Yeah…it’s gonna take awhile.) Here’s the start of the border after 20 rows:

I like the border… Only 566 stitches to go. I hope to finish this before the end of July. I will post pictures of the finished shawl when I get it blocked.

Here’s a link to Elizabeth Zimmermann’s Knitter’s Almanac

WIPs – Goals For OctoberWIPs – Goals For October

October 7, 2009| Lindy| 0 Comment| 8:00 am

I still have far too many works in progress! I have made some headway on them, but I keep wanting to start more and find myself having to exercise some mental discipline. For now, I will not start any more projects until I finish the following:

Aida Scarf
Lace Scarf for DIL (nearly 50% completed)

SFS_12inches
Regulation Socks – SFS (ready to start the heel)

I am also prioritizing the projects that I have planned and for which I have purchased yarn. I hope this will keep me from my insane tendency to have too many projects on needles. In order of priority, the planned projects are: 1) Textured Scarf for DD; 2) Striped Scarf for JC; 3) Baby Sweater and Romper for new grandchild; 4) Regulation hat for SFS. The first two are Christmas presents, so I hope to start them sometime this month.

I have also decided that there are some WIPs that can just sit patiently on their needles and wait for a time when I am ready to pick them up and finish them. These are projects without any identified recipients or times for completion: So the Cable Rib Socks (for me), the two shawls and a “Moderne Baby Blanket” currently on needles are on hold for now.

Now, I just have to avoid the temptation of yarn shops and yarn sections in craft stores…

How to Knit a Helpful Swatch – Part 2 Stitch PatternsHow to Knit a Helpful Swatch – Part 2 Stitch Patterns

August 10, 2020| LindyBeir| 0 Comment| 8:00 am

In my previous post, I discussed how to make a preliminary swatch to select the size needle that gives you a fabric that you like and then how to knit a gauge swatch. The gauge swatch is measured to give you your stitch gauge (stiches per inch) and your row gauge (rows per inch).

At this point, you might think you are ready to cast on and begin knitting your sweater – BUT….

Are you planning on using some type of ribbing for the bottom, cuffs and neckline of the garment? Are you planning on using a certain textured stitch pattern, a lace pattern or cables in your sweater? Will you be combining two or more stitch patterns in the body of the sweater? If the answer to any of these questions is “yes”, then you need to do more swatching.

Swatches with Borders: Have you ever knit something with a definite edge made by knitting either garter stitch or seed stitch and then found that the edges curl? The reason this happens is usually due to a difference in gauge between the stitch pattern used for the border and the stitch pattern used for the body. Thus, if you are knitting piece with a border that is different than the body of the piece, knitting a swatch with the borders on it provides you with an opportunity to make adjustments to minimize or eliminate the problem. Suzanne Bryan has a nice video on this that you may find helpful, here’s the link:

Short Rows in Garter or Seed Stitch Border

Note: I don’t recommend using garter stitch borders on gauge swatches even though others do. The border tends to distort the swatch and may affect the accuracy of your measurements.

Swatches of Ribbing: Ribbing by nature tends to “pull in”. Which means that 30 stitches of ribbing will have a smaller width than 30 stitches of stockinette stitch. How much of a difference can be quite significant and affect the way the garment fits around the hips and neck as well as around the wrists on a long sleeve. Also, some knitters find that their ribbing stitches appear larger than their stockinette stitches due to changes in tension. One solution for this is to use a smaller needle when ribbing – but if you do that you may need to have more stitches to get the right width of fabric for a proper fit. Knitting a swatch with your selected ribbing pattern followed by a transition to the stitch being used for the body of the sweater will provide you with the information you need to decide what you want to do. You might want to knit separate swatches with different ribbing patterns to select which ribbing you prefer to use in your garment. (You don’t have to use the same ribbing that the designer did for the pattern if you don’t want to…just saying.)

Swatches of Stitch Patterns:

In this post, stitch patterns refer to textured pattern stitches, lace patterns, cable patterns, etc. Basically any grouping of stitches that combine to make a pattern from the variations in stitches used.

I think making a swatch of the stitch patterns used in a written pattern provides a great deal of useful information about how the finished garment will look and feel – and fit! It’s also good practice before doing it as part of your finished item.

Keep in mind that most written patterns only give gauge in stockinette stitch and while that tells you what the designer’s gauge is – it does not tell you how the gauge changes in the stitch pattern(s) used in knitting the garment. If you find a written pattern that states the gauge of the stitch pattern – great. But does your gauge match that? Swatching is the only way you will know.

If you are only using one stitch pattern, then knitting a swatch with two or more pattern repeats will help you figure out how the pattern affects the width and length of the garment and what adjustment you might need to make to obtain the correct size of garment you want. If you combine it with your ribbing, you will see how the ribbing affects the transition to the main fabric of the garment.

If you are combining more than one stitch pattern within the main fabric of a garment, I recommend doing individual swatches for each stitch pattern to use as a gauge swatches.

Then to see what happens when the stitch patterns are combined, you should do a swatch large enough to include all of the stitch patterns used in the order you plan to use them. This may end up being a very large swatch – even enough stitches for the back of your garment. This type of swatch will provide you with a lot of helpful information and give you insight into what adjustments you might need to make for a great fitting garment. More on this in a later post.