Works in Progress

I have decided that I have too many projects in progress and absolutely cannot start anything else until I get at least three of them done: Not only do I have 5 knitting projects and 1 crochet project “in the works”, but have 3 more planned, plus a sewing project that must be completed in the next two weeks. I have always had the tendency to have several things going at once – but really, this is ridiculous!

Here are the knitting projects I must complete BEFORE starting anything else:

Knitted Bunny – ready for assembly.

Knitted Bunny

Knitted Bunny

Lace Scarf – this is a Christmas gift:

Lace Scarf WIP

Lace Scarf WIP

Cable Ribbon Socks – Guild Meet Up project.

Cable Rib Socks - knitting magic loop method

Cable Rib Socks - knitting magic loop method

Vintage Crochet Edging – just need to finish the write up on the pattern:

Vintage Crochet Edging -- WIP

Vintage Crochet Edging -- WIP

I plan to do the sewing project over the Labor Day Weekend and will post pictures when finished.

Related Post

Combinations of Knit & Purl – Simplicity or Complexity?Combinations of Knit & Purl – Simplicity or Complexity?

The other day while waiting for my MIL at the beauty shop, I took out my baby blanket and sat knitting in the waiting area. One of the stylists came up to me and asked me what I was knitting. So I showed her. Then she said, “I could never knit anything like that – it’s too complex.” I replied that this pattern was actually very easy – it was just a three different combinations of knit and purl stitches, and I showed her the graph of the pattern square. She then told me that she had once knitted a sweater for her granddaughter that had a color pattern of a frog. So, I told her that if she had done that type of color knitting, this textured pattern would be easy for her to do. She replied that “maybe, she could do it – BUT she didn’t think she’d ever be able to master anything like cables”. So in spite of my gentle encouragement, I’m not certain this knitter will try to knit something with a variety of textures – which is too bad, because she will miss out on some wonderful knitting projects.

Have you ever limited your knitting by such thinking? I know I did many years ago – but after discovering Elizabeth Zimmerman’s approach to “unventing” things, my perspective has changed greatly. I’d like to encourage all my readers to think about this. There is a lot of freedom in being able to take a printed pattern and view it not as something that has to be followed exactly, but more as a place to start something uniquely yours. BTW – if you have never read Elizabeth Zimmerman’s books – you are missing an absolutely fun and enlightening experience!

As I spend time knitting my baby blanket, I find myself marveling at how those two basic stitches – the Knit Stitch and the Purl Stitch – can be combined in endless ways to make up fascinating textures. Consider the sheer simplicity of these two stitches. They are just opposites of each other. Yet these two stitches are knitting up nicely into teddy bear squares surrounded by seed stitch borders. And this project is rather simple. Then consider an Aran sweater pattern as an example of a far more complex combination of textured patterns – but again, the textures are made by the way one combines the basic knit and purl stitches and applies techniques such as cabling. Thus, knitting is both simple and complex and filled with unlimited possibilities of variation and combinations. No wonder we knitters love to knit!

Long Tail Cast OnLong Tail Cast On

The Long-Tail Cast On is one of the most common and popular cast ons. It is an all purpose cast on that gives an attractive and elastic edge and works in almost every type of project. Because of its structure, this cast on creates the first row of your knitting – which is usually considered the wrong side of the work for stockinette stitch.

As the name implies it starts with a long tail – which can be a challenge for a knitter to figure out how long to make the tail before you start making stitches on your needle. A general rule of thumb for this length is 3 times the length you need to form the number of stitches to cast on. Some knitters wrap the yarn around the needle the number of times that equals the number of stitches. I’ve used both methods and both work fairly well.

The cast on starts with a slip stitch (some knitters omit this step). You then form a “slingshot” by holding the needle in your right hand and using the thumb and forefinger of your left hand so that one of the two strands wraps around the thumb and the other wraps around the forefinger, forming a “Y”. The tail strand should go over the thumb and the working yarn should go over the forefinger.

To form a new stitch, put the needle under and into the loop on the thumb, then go over the yarn on the forefinger and bring the strand through the thumb loop. Drop the yarn off the thumb and gently tighten the loop on the needle. Repeat until you have the desired number of stitches.

There are several variations of this cast on. I have included a link for the Alternating Long Tail Cast on, which provides a way to alternate knit and purl stitches for a ribbing and gives a moderately elastic edge.

Everything About the Long-Tail Cast On

Long-Tail Cast On in Pattern – Alternating Long-Tail CO

Troubles with TensionTroubles with Tension

The first three swatches for the Master Knitter Level I require you to knit 2 X 2 ribbing, 1 X 1 Ribbing, garter stitch, stockinette stitch and seed stitch. As I have been knitting the first two swatches for the Master Knitter Level I, I have discovered that my tension is not what I thought it was: I thought I knit fairly evenly– but as I looked at the examples from TKGA — I began to realize that my knitting tension is not the same when I knit as when I purl. This seems to be a common issue among those who are working on the Level I Master Knitter swatches.

I have tried several different things to correct this problem — but so far I am still not knitting as evenly as I want. I have discovered that my knitting is less even with bamboo needles than with metal needles. I have also determined that it is very important to tighten up my tension at the end of a row — especially on the last stitch, so that I get more even stitches on the edges of the swatch. However — I have yet to achieve the even stitches for ribbing that I’d like to have.

Did you know that tension in ribbing — that it is, tension differences between knit and purl stitches — can really make a difference in the way your ribbing appears? I’d never given this much thought — but it really does effect how the ribs in the ribbing are formed. I have read (very recently) that this more of a problem for English knitters than for Continental knitters — but that it happens with both styles. The problem is often due to the excess yarn used in forming the purl stitch. The next time you are switching between knit and purl stitches — pay attention to how you wrap the yarn for the purl stitch — you actually do use slightly more yarn when doing a purl.

I am still seeking solutions for my tension problems — I’ll post about how I resolve this.